“My sense of politics comes from searching, constantly, for subversive and challenging possibilities. To me, this does not necessarily need to be based in personal narratives or identity politics—it can come out as a purely formal experiment or an engagement with traditions. It’s constantly shifting.
Recently, it feels more political to me to divorce ones’ persona from the work, especially in relation to “net art.” Institutions and corporations are increasingly looking to digital artists to become producers of new personalities, identities, and positions—more grist for the mill for advertising. The net artist never stops working. I’d actually prefer to avoid being part of any movement.”