Justine Emard challenges through different media (photography, video, installations and augmented reality) the image in its materiality. Many of her works explore the paradigms of cinema which encompass the screen, the frame and the out-of-frame. During a creative journey in Dallas (United-States) in 2008, Emard conducted a study on the disappearance of drive-in theaters. This decisive moment led her to track and photograph all the rectangles painted white by anonymous people on the street walls like potential screens.
500 Tokens / Video • Still Image • AR